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'The best thing for being sad,' replied Merlin, beginning to puff and blow, 'is to learn something. That's the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then -- to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the only thing for you. Look what a lot of things there are to learn.' ~ T. H. White, The Once and Future King
William Morris, Red House, and the Birth of Arts & Crafts
The Backstory: Jane and May Morris
William Morris and De Morgan: Pre-Raphaelite Ceramics
Why Arts & Crafts is Not Craftsman
Art as Truth: The Decorative Arts Wings of the Pre-Raphaelites
Cast a Wide Net: Defining Victorian Tiles
Beyond Red House: Victorian Medievalism in the Decorative Arts
William Morris: The Soul of Arts and Crafts
What is Arts and Crafts? (part 1)
Art Nouveau to Craftsman (Part 2)
William De Morgan: Arts & Crafts Tile
Fantasy and the Pre-Raphaelites
William Morris and "Authenticity"
Simon Hughes: Norwegian Folklore Original Translations
Endless Digressions on Evelyn De Morgan
The Pre-Raphaelite Aesthetic: An Alternative View
Vinland to Valinor: The Westard Journeys of Old Norse Mythology
Notes on James Hillman lectures at Pacifica Graduate Institute
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Stephanie Pina: Pre-Raphaelite Sisterhood
Kirsty Stonell Walker: The Kissed Mouth
